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Added: Jul 19, 2008

From: kspm01

Duration: 2:44

Russian-born Sam Lanin was a very popular American jazz bandleader. Lanin's brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert's orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin's Jazz Band, Lanin's Arcadians, Lanin's Famous Players, Lanin's Southern Serenaders, Lanin's Red Heads, Sam Lanin's Dance Ensemble, and Lanin's Arkansas Travelers. He did not always give himself top billing in his ensemble's names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd's Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra, and Bailey's Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr., and Red Nichols, as well as, at some point or another, Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas, and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed the Ipana Troubadours. In 1928 and 1929 Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931 he lost his contract with Bristol-Meyers, his radio show, and the name Ipana Troubadours. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s, and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to super-stardom, and died in 1977 having never returned to music. Harold "Scrappy" Lambert (1901 -- 1987) was an American jazz band vocalist. He appeared on hundreds of recordings from the 1920s to the 1940s. He attended Rutgers University, where he was a cheerleader and played piano for a jazz group called the "Rutgers Jazz Bandits." He and fellow student Billy Hillpot formed a musical duo, which was discovered in 1926 by Ben Bernie, who signed them to perform with his orchestra. Lambert and Hillpot appeared on many recordings with the orchestra and remained under Bernie's employ until 1928. Other bandleaders who employed Lambert include Red Nichols, Frank Britton Wenzel, Fred Rich, and Sam Lanin. In the 1930s, Lambert and Hillpot took their comedy routine to the National Broadcasting Company, then a fledgling radio network. In 1943, MCA offered him a job overseeing their radio department in Beverly Hills, California. This marked the end of his singing career, and he worked for MCA until 1948. As for this lovely record, it was made for Lincoln on August 19th, 1927 (rec. date kindly confirmed by merrihew). Instrumentists included Red Nichols and Harry Reser.

Channel: Music

Tags: 78rpm  his  lanin  orchestra  sam  someday  sweetheart 


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